Job Opportunity

Undergraduate Studies 

Student Assistant Job Announcement

Web Assistant

Hours per Week: 8 to 12 (flexible M-F)

Hourly Wage: $10.00

Start Date: Immediately

Duties include: 

Pouring content into web templates.

Cropping, sizing, and ALT tagging photos for the Web. 

Limited creating of graphics for the Web.

Running XHTML validation checks

Running website link checks. 

Skills:

Working knowledge of Dreamweaver and Photoshop.

Knowledge of XHTML and CSS. 

Knowledge of Contribute and LecShare a plus. 

Must be reliable, organized and have great communication skills. 

Must follow through on all assigned tasks. 

Contact:

Gregory Mena

Phone: (818) 677- 2969

Email: greg.mena@csun.edu

Undergraduate Studies

California State University, Northridge 

Graphic Design Internship Opportunity

Company: Creative Impact Agency

Looking for Web Interns. Anyone who is interested, contact Danica Pupa

Danica Pupa

Creative Impact Agency

danica@cia-adv.com

www.cia-adv.com

818.981.7656 x 105

Graphic Design Job Opening

Company: Trigger Los Angeles

Looking for an Interactive Banner Designer. Any one who is interested, please contact Jacob Court. 

Jacob Court 

Art Director   Trigger

jacob@triggerla.com

310.921.7070 Main

310.921.7084 Direct 

Graphic Design Internship Opportunity

Company: EmbroidMe

About EmbroidMe: We specialize in embroidery, screen printing and promotional products.

We are looking for a Graphic Designer who is proficient with design, typography and related computer applications.

Please contact the Art Advisement office for more information.


art.dept@csun.edu

Christian Tedeschi "Levity" at the West Gallery

Christian Tedeschi's "Levity" exhibition will be featured at the CSUN West Gallery.

Opening reception: Saturday Fed 14th 1-4pm

Gallery hours: Monday - Saturday 12-4pm
Thursday open until 8:00pm

Exhibition runs until Feb 19th

West Gallery
Art and Design Center, Rm 201
18111 Nordhoff St.
Northridge, CA 91330-8299

"Connections"

“CONNECTIONS”
A collaborative exhibition between OVERTONES gallery and den contemporary art
on view at OVERTONES gallery through February 28, 2009.
Amir H. Fallah
Tim Forcum (CSUN Art Dept Faculty)
Cornia Gamma
Stas Orlovski
Margi Scharff
Amanda Sefton Hogg
Carole Silverstein
Coleen Sterritt
Alexis Weidig
Nicola Vruwink
Opening Night: SATURDAY, January 17, 2009; 7-10PM
Exhibition dates: January 17 – February 28, 2009
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“Connections” is a group exhibition of ten Los Angeles-based artists from OVERTONES and den contemporary art, featured at the OVERTONES gallery exhibition space. The artists are linked through a sequence of visual dialogs in art making, and the exhibition will include painting, work on paper, sculpture, and video.

Each artist has a singular vision and style, yet one connects to another in visual discourse reflecting contemporary consciousness about subjects ranging from nature to domesticity, and through use of text, patterning, collage, and craft, in works that include both abstract and representational imagery. Landscape and nature are represented in detailed paintings by Amir Fallah, Stas Orlovski, and Amanda Sefton Hogg. Elements from nature are also found in the sensitively assembled sculptures by Coleen Sterritt and Alexis Weidig. Use of craft in Nicola Vruwink’s crocheted cassette tape piece relates to
Margi Scharff’s intimate collages of discarded materials. Scharff’s arrangements are fashioned into mandala patterns, which connect to Gamma’s video installation of kaleidoscopic images of moving objects and people. The images layered in Gamma’s videos link to the layering of patterns and lines in the abstract works of Carole Silverstein’s meditative ink paintings on mylar and Tim Forcum’s dynamic oil paintings.

“Connections” provides the audience with a sense that, if one is open to seeing, relationships exist everywhere. In times of change like the World is experiencing today, the links between us are pathways to new opportunities and growth. The collaborative nature of the exhibition “Connections” and the artists presented, offer a visual space within which we can play, explore and find delight in the challenges that often come with the uncertainty of change.
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+ For additional information and images please contact Elizabeta Betinski at word@overtonesgallery.com
or Donna Enad Napper at info@dencontemporaryart.com

ecoLOGIC Exhibit

PRESS RELEASE: December 24, 2008

ecoLOGIC
A survey of Southern California artists, architects, and designers who pose aesthetic inquiries that express a unique logic, ecological reasoning or discourse.


Cypress College Art Gallery
9200 Valley View, Cypress, CA 90630
714.484.7133

January 28–February 29, 2009

Opening reception: January 28, 6–8 p.m.

Artists include: Calvin Abe, Kim Abeles, Samantha Fields, Sant Khalsa, Manfred Menz, Kathryn Miller, Lothar Schmitz, Glen Small, and Joel Tauber.

Curated by Patricia Watts, ecoartspace

Environmentalists often find it hard not to be sarcastic, or even angry, when working with individuals, organizations, and institutions that are ignorant of opportunities to protect the environment. The use of humor and metaphors is often employed by activists to point out playfully what is obvious to some, a way to open minds to new ideas. Artists have long pointed out the not-so-obvious through visual imagery, offering up symbols that can lead cultures to a new awareness. The following artists share this practice. Their work displays a type of logic that questions its viewers to think deeper and harder, and to make sense of what they present. An ecolOGIC, if you will.

Calvin Abe: ah'bé www.ahbe.com
ah'bé landscape architects, an award-winning, Culver City–based firm renowned for creating artful and ecologically sustainable urban infrastructure spaces, began a series of indoor art installations entitled Shreddings in 2003. Questioning our assumptions about what we do, this fourth iteration of recycled paper towers, or an abstract forest, furthers the dialogue on our current methods of waste disposal.

Kim Abeles www.kimabeles.com
Abeles creates poignant or apt signifiers of environmental conditions. In her Signs of Life series, which she started in 2004, she uses satellite photographs to pinpoint or map plant life as sculptural objects. Using model trees, she creates a magnified landscape of what little nature exists in urban areas.

Samantha Fields
Fields’s paintings depict nature’s extreme, environmental drama, unrestrained atmospheric landscapes, the sublime. She documents devastation from wildfires that questions our understanding of natural cycles and human impacts on the land. These dreamy, apocalyptic works remind us of our ability to forget that we live in a precarious, temporal world.

Sant Khalsa www.santkhalsa.com
Khalsa creates typologies of nature, as in her Western Waters series artworks, which describe the proliferation of water stores in the Southwest. Consisting of over two hundred stores to date, these black-and-white photographs of store facades and signage signal a trend: clean water is either a limited resource, or it is an economically driven commercial product.

Manfred Menz www.manfredmenz.com
Since 2004, Menz has created an ongoing body of work entitled Invisible Project. Documenting famous sites around the world, where snapshots are usually taken by tourists, his digitally enhanced large-scale photographs reveal only the locations’ plant life. By removing the built environment, the artist shows us the evidence of nature’s role in today’s world.

Kathryn Miller
Miller’s work is deeply rooted in environmental issues, concepts, questions, and concerns. As a keen observer of the natural world, she combines knowledge of art and biology to illuminate human impacts on ecological systems and native habitat. With her dry sense of humor and sense of the absurd, she invents advertisements of green denial.

Glen Small www.glenhowardsmallarchitect.com
Small, a visionary “outsider” architect and founding member of SCI-Arc in Los Angeles, developed a socially and environmentally responsible sensibility with his early projects in the 1970s, when he conceived of the Biomorphic Biosphere and Green Machine. His designs were inspired by his goal to transform the Los Angeles basin into a futuristic eco logical region.

Lothar Schmitz
Through sci-fi like laboratory dioramas and sculptural systems, Schmitz shows how we shape nature with our desire to bring order or progress to our lives. With coiffed domestic settings, interiorized gardens, we have sealed off the natural world and have become psychologically immune to its unrestrained aesthetic.

Joel Tauber www.joeltauber.com
In his video work entitled Sick-Amour, Tauber falls in love with a sycamore tree, an emblem of our fragmented relationship with nature. Struggling to assist the sycamore to survive in the middle of a parking lot, the artist becomes an eco-warrior, a guerilla gardener, a fake civic worker—all to save the tree.

Closing Reception: Saturday, February 29, 2009, 7–9 p.m.

Gallery Hours: Monday–Thursday, 10 a.m.–2 p.m.; Tuesday–Wednesday, 6–8 p.m. The gallery is closed Friday, except by appointment

For more information, please contact gallery director Paul Paiement at 714.484.7134

Not too late to create that stellar portfolio!!

Enrollment is open for Graphic Seminar 458. Heres your chance to stand out and get noticed with a custom built portfolio. Check out previous students work.

www.arsnovainc.com/links/PortfolioswinJobs.html

Interested in the Art of Bronze Casting Sculpture ?

CSUN offers you the chance to explore the complex process
of and appreciation for this intriguing practice. The foundry
pours will be done on site.
Heres the scoop;
ART 439 Bronze Casting Sculpture
Prerequisite: Art 235 - Sculpture 1
Class #18399
Instructor: Russel McMillin
Fridays 9:00am - 3:00pm
Location: AC512

CSUN Animation Teams up with Pacific Asia Museum

CSUN Animation & Pacific Asia Museum partnership
THUR. OCT. 30, 11AM, AC300 Pacific Asia Museum Presentation
All students invited to presentation

2D Anime Projects
An opportunity for Animation students to make 2D Hand drawn Anime projects after studying the exhibit, The Samurai Re-Imagined: From Ukiyo-e to Anime. Students will be exposed to historic traditional arts of Japan, which are the classical roots of contemporary Anime. From this influence, students will develop & create their own animations. Projects must be approved and will be produced in Sp 09 term. Some animations might be exhibited at the museum.


Students interested in participating in Anime Projects must meet these requirements:
· ATTEND LECTURE: THUR. OCT. 30, 11AM IN AC300, Pacific Asia Museum Presentation.

· Study and use their images as influences to develop story concept & designs for an animation.

· Animations must be 2D hand drawn (Traditional or Wacom Tablet assembled in Flash) with storyboards & character designs.

· THUR. NOV. 13, 3pm-6pm, DUE: PROPOSALS & PITCH, to seek approval.

· TUES. NOV. 18: APPROVED PROJECTS ANNOUNCED.

· Individual & Team projects are supervised & for college credit. Must enroll Sp 09 in one of: 363A Flash Team, 363B Concept, 443 Character Design, 463 Anim III Production.

· SPRING 09 TERM: PRODUCE & COMPLETE ANIMATIONS by April 14.

· Arranged by Prof. Trujillo, for more info: <mary.a.trujillo@csun.edu>

....................................................................................
The Samurai Re-Imagined: From Ukiyo-e to Anime
Feb. 19 - Aug. 9, Exhibit explores roots of popular Japanese art forms of Anime animation in traditional arts of Japan by examining images of iconic warrior, samurai. By juxtaposing depictions of samurai in Edo era woodblock prints, ink paintings, historical photographs, animation cels & drawings, original manga panels, and toys, the exhibition will demonstrate the ongoing links between fine art and popular culture in Japan.

Left: Samurai Warriors on Bridge in Moonlight by Kuniyoshi, Japan, 19th century. Woodblock print of ink and color on paper. Pacific Asia Museum Collection, Henrietta Hill Swope Collection, 1981.12.123. Right: Samurai 7 by Toshifumi Takizawa, Japan, 2004. Full-color one-sheet poster. Courtesy of GONZO Studios.

ART DEPT HALLOWEEN BASH

To All Art Students, Faculty & Staff

As mentioned at the last department meeting, the department is organizing a fun Halloween Bash in an effort to familiarize the art students with our student organizations. This will held be Friday, October 31^st outdoors in the West Courtyard by the kiln shed, 2:00-6:00pm .

There are a variety of things in the works to make a fun event for our students – but the Art Community is welcome!

Come in your self-designed costume!

'Dear Mr. President' Project Gives CSUN Community a Voice

Thursday, 23 October 2008

Do you have something you want to say to the next president of the United States of America? Do you have a personal story or concern you want to share about this historic election? Faculty, staff, students and community members have until Thursday, Nov. 6, to visit Cal State Northridge's own version of the MTV-styled "confessional" booth. The confessional booth is part of cinema and television arts lecturer Geri Ulrey's project: Dear Mr. President. The project involves the use of a mobile video booth located in a miniature house that travels around campus. Faculty, staff, students and visitors to campus are invited to record a video message addressed to the next president of the United States of America. Participants are encouraged to share personal stories, feelings and thoughts about their lives.The video messages will be organized, streamed from the project's Web site and mailed to theWhite House. "My desire is to engage with young people regarding the political process," said Ulrey, who collaborated with the Art Department and several student organizations in designing the project and the house. "I believe that it is really important for people to hear themselves speak." Geri Ulrey, Cinema and TelevisionArtsDepartment lecturer, instructs student Kemi George on how to balance the lighting for the camera used to record Dear Mr. President project letters. The project will be recording messages on campus at various locations untilNov. 6. Geri Ulrey, Cinema and TelevisionArtsDepartment lecturer, instructs student Kemi George on how to balance the lighting for the camera used to record Dear Mr. President project letters. The project will be recording messages on campus at various locations untilNov. 6. The video house is open now through Nov. 6 at various locations on campus. Ulrey, the project producer and director, said the project is nonpartisan. She plans to send the footage to the campaigns of both Sens. John McCain and Barack Obama, no matter who wins on Nov. 4. The project was funded through a grant from CSUN's Judge Julian Beck Learning-Centered Instructional Projects. Beck grants are awarded to faculty to provide students with opportunities to actively engage in and ultimately become responsible for their own learning. Projects must be completed in one year and all faculty and staff are eligible to submit projects, either individually or as a group. Ulrey said students are involved at all levels in the project, from inviting visitors to taping messages and editing and uploading the messages. "This is an opportunity to bring art to large numbers of people who wouldn't ordinarily have the opportunity, and to involve students on all levels," said Kim Abeles, professor of art. She said art students helped design the Victorian style miniature house as an on-campus public art piece. The idea for the house design came out of the notion that individuals are most comfortable talking about issues in cozy chairs in their own home, she added. "It's portable, yet it's also a cozy place,"Abeles added. So far, nearly a hundred students, faculty and staff have taped messages with themes ranging from concerns about the economy to health care. During his tapedmessage, student Shahar Aframian said he was concerned about taxes, gas prices and the economy. "I think those issues are more important than Iraq and the war," he added. For more information about the project, visit www.dearmrpresident08.org.

Graphic Design student show

OCCA PRESENTS !

September Events:


Animal Magnetism
An all media national juried exhibition



Katherine Patternson: Catsnake, graphite



September 4 to 27, 2008
117 N. Sycamore, Santa Ana, CA
714.667.1517
Opening Reception September 6th, 6 PM to 10 PM


Juror:
Mat Gleason, editor and publisher of
Coagula Art Magazine

Recently praised by the British critic Julian Stallabrass in his book, Art Incorporated, The Story of Contemporary Art, Mat Gleason has a keen eye for quality and authenticity, ferocious wit and an intimate knowledge of the jungle.


Abdul and Lucas
April Durham
A. S. Ashley
Bob Allen
Carol Ann Klimek
Cheryl Ekstrom
Chris Basmajian
Cynthia Minet
Dale Clifford
Amy Caterina
Daniel du Plessis
David Beck
David Khang
David Luce
David Prochaska
Denise DeGrazia
Diane Meyer
Eva Kolosvary Stupler
Gabriel Zacuto
Heidi Jensen
Jaime Lakatos
Jason Cimenski-Almogela
Jean Reese Wilkey
Jeanette Martone
Jeff Alu
Jenny Zoe Casey
Joanne Chase-Mattillo
Juan Thorp
Julia Schlosser
Julie Easton
Katherine M. Patterson
Kathryn Hansen
Ken Haber
Ken Hillberry
L. Kelly Lyles
Laura Jean
Laurie Hassold
Les Perhacs
Linsley Lambert
Liza Hennessey Botkin
Louise Francke
Margaret Adachi
Mary E. Mayer
Melanie Wynne Waldman
Nancy Baker Cahill
Nisa Schoonhoven
Owen Driggs
Renee Martin
Robert Weibel
Sarah Goldstein
Sarah Hauser
Steven R. Barich
Stuart Rapeport
Terry Davitt Powell
Todd Frahm
William Ransom
YUME


Animals, real and imaginary. We fear them, pamper them, tame them, trap them, eat them, lobby on their behalf, experiment on them, strut them as status symbols, and exterminate them. How do contemporary artists represent them?

From the caves of Lascaux, to the halls of the Louvre, there is no escaping them. With their long pedigree in the history of art, they prowl the great museums of the world. And today, animals leap from the work of contemporary artists, symbolically expressing their ideas and emotions. OCCCA's terrific exhibition space will showcase a menagerie of superb examples of this trend, from the traditional to the avant-garde, from the realistic to the fantastic, in painting, drawing, sculpture, photography, video and new media

A catalog of accepted works will
accompany this exhibition.


Events & Gallery Admission are Free

Film, Concerts and Other Events @ OCCCA During September 2008:

First Friday Films: September 5: 8pm
Winged Migration (2001)
Director: Jacques Perrin

EMC Concert no.26:
September 13: 8pm
Happy Dwarf Deal by Dusk
B-side Effect




Orange County Center For Contemporary Art
117 N Sycamore. Santa Ana, CA 92701
714 667 1517 · Th-Sun 12-5pm, Fri-Sat 12-5, & 5-9 *call for evening availability
1st Saturday Receptions: 6-10pm · First Friday Films: 8pm


OCCCA is located
at the corner of 2nd and Sycamore in the Santa Ana Artists Village.
There is no entrance fee. Please see the web site for more
information, or call the gallery during regular operating hours.

# # #



Orange County Center for Contemporary Art
Is an artist run California nonprofit corporation. OCCCA affiliate artists are committed to presenting contemporary art exhibitions in an atmosphere conducive to discussion without censorship.


Support the Arts! Donate with PayPal







Orange County Center for Contemporary Art | 117 N Sycamore | Santa Ana | CA | 92701

Prof. Lesley Krane assists with Glendale teen photographers

Glendale Public Library is pleased to present

How I See It: My Place
Glendale teens photograph their world

An exhibition of photographs by the following Glendale teens:

Christina Asadourian Isabella Restrepo
Stephen Honrade Nikki Restrepo
Rita Hovsepian Angus Ritchie
Sevana Manukian Jackie Uniza
Annie Orudzhyan Jasmine Uniza

With much thanks to Lesley S. Krane, MFA


Opening Reception:
Tuesday, September 9, 2008, 5:30-7PM
Glendale Central Library Auditorium
Join us for refreshments and meet the artists!

On view at Glendale Central Library September 10-September 30

Please visit www.glendalepubliclibrary.org for more information and open hours.

This project is a program of the California Council for the Humanities’ California Stories: How I See It campaign conducted in partnership with Califa. It is supported in part by the U.S. Institute of Museum and Library Services, under the provisions of the Library Services and Technology Act, administered in California by the State Librarian. For more information on the Council and the California Stories Initiative, visit www.californiastories.org.