Friday, January 23, 2009

Christian Tedeschi "Levity" at the West Gallery

Christian Tedeschi's "Levity" exhibition will be featured at the CSUN West Gallery.

Opening reception: Saturday Fed 14th 1-4pm

Gallery hours: Monday - Saturday 12-4pm
Thursday open until 8:00pm

Exhibition runs until Feb 19th

West Gallery
Art and Design Center, Rm 201
18111 Nordhoff St.
Northridge, CA 91330-8299

Thursday, January 15, 2009


A collaborative exhibition between OVERTONES gallery and den contemporary art
on view at OVERTONES gallery through February 28, 2009.
Amir H. Fallah
Tim Forcum (CSUN Art Dept Faculty)
Cornia Gamma
Stas Orlovski
Margi Scharff
Amanda Sefton Hogg
Carole Silverstein
Coleen Sterritt
Alexis Weidig
Nicola Vruwink
Opening Night: SATURDAY, January 17, 2009; 7-10PM
Exhibition dates: January 17 – February 28, 2009
“Connections” is a group exhibition of ten Los Angeles-based artists from OVERTONES and den contemporary art, featured at the OVERTONES gallery exhibition space. The artists are linked through a sequence of visual dialogs in art making, and the exhibition will include painting, work on paper, sculpture, and video.

Each artist has a singular vision and style, yet one connects to another in visual discourse reflecting contemporary consciousness about subjects ranging from nature to domesticity, and through use of text, patterning, collage, and craft, in works that include both abstract and representational imagery. Landscape and nature are represented in detailed paintings by Amir Fallah, Stas Orlovski, and Amanda Sefton Hogg. Elements from nature are also found in the sensitively assembled sculptures by Coleen Sterritt and Alexis Weidig. Use of craft in Nicola Vruwink’s crocheted cassette tape piece relates to
Margi Scharff’s intimate collages of discarded materials. Scharff’s arrangements are fashioned into mandala patterns, which connect to Gamma’s video installation of kaleidoscopic images of moving objects and people. The images layered in Gamma’s videos link to the layering of patterns and lines in the abstract works of Carole Silverstein’s meditative ink paintings on mylar and Tim Forcum’s dynamic oil paintings.

“Connections” provides the audience with a sense that, if one is open to seeing, relationships exist everywhere. In times of change like the World is experiencing today, the links between us are pathways to new opportunities and growth. The collaborative nature of the exhibition “Connections” and the artists presented, offer a visual space within which we can play, explore and find delight in the challenges that often come with the uncertainty of change.
+ For additional information and images please contact Elizabeta Betinski at
or Donna Enad Napper at

Monday, January 05, 2009

ecoLOGIC Exhibit

PRESS RELEASE: December 24, 2008

A survey of Southern California artists, architects, and designers who pose aesthetic inquiries that express a unique logic, ecological reasoning or discourse.

Cypress College Art Gallery
9200 Valley View, Cypress, CA 90630

January 28February 29, 2009

Opening reception: January 28, 6–8 p.m.

Artists include: Calvin Abe, Kim Abeles, Samantha Fields, Sant Khalsa, Manfred Menz, Kathryn Miller, Lothar Schmitz, Glen Small, and Joel Tauber.

Curated by Patricia Watts, ecoartspace

Environmentalists often find it hard not to be sarcastic, or even angry, when working with individuals, organizations, and institutions that are ignorant of opportunities to protect the environment. The use of humor and metaphors is often employed by activists to point out playfully what is obvious to some, a way to open minds to new ideas. Artists have long pointed out the not-so-obvious through visual imagery, offering up symbols that can lead cultures to a new awareness. The following artists share this practice. Their work displays a type of logic that questions its viewers to think deeper and harder, and to make sense of what they present. An ecolOGIC, if you will.

Calvin Abe: ah'bé
ah'bé landscape architects, an award-winning, Culver City–based firm renowned for creating artful and ecologically sustainable urban infrastructure spaces, began a series of indoor art installations entitled Shreddings in 2003. Questioning our assumptions about what we do, this fourth iteration of recycled paper towers, or an abstract forest, furthers the dialogue on our current methods of waste disposal.

Kim Abeles
Abeles creates poignant or apt signifiers of environmental conditions. In her Signs of Life series, which she started in 2004, she uses satellite photographs to pinpoint or map plant life as sculptural objects. Using model trees, she creates a magnified landscape of what little nature exists in urban areas.

Samantha Fields
Fields’s paintings depict nature’s extreme, environmental drama, unrestrained atmospheric landscapes, the sublime. She documents devastation from wildfires that questions our understanding of natural cycles and human impacts on the land. These dreamy, apocalyptic works remind us of our ability to forget that we live in a precarious, temporal world.

Sant Khalsa
Khalsa creates typologies of nature, as in her Western Waters series artworks, which describe the proliferation of water stores in the Southwest. Consisting of over two hundred stores to date, these black-and-white photographs of store facades and signage signal a trend: clean water is either a limited resource, or it is an economically driven commercial product.

Manfred Menz
Since 2004, Menz has created an ongoing body of work entitled Invisible Project. Documenting famous sites around the world, where snapshots are usually taken by tourists, his digitally enhanced large-scale photographs reveal only the locations’ plant life. By removing the built environment, the artist shows us the evidence of nature’s role in today’s world.

Kathryn Miller
Miller’s work is deeply rooted in environmental issues, concepts, questions, and concerns. As a keen observer of the natural world, she combines knowledge of art and biology to illuminate human impacts on ecological systems and native habitat. With her dry sense of humor and sense of the absurd, she invents advertisements of green denial.

Glen Small
Small, a visionary “outsider” architect and founding member of SCI-Arc in Los Angeles, developed a socially and environmentally responsible sensibility with his early projects in the 1970s, when he conceived of the Biomorphic Biosphere and Green Machine. His designs were inspired by his goal to transform the Los Angeles basin into a futuristic eco logical region.

Lothar Schmitz
Through sci-fi like laboratory dioramas and sculptural systems, Schmitz shows how we shape nature with our desire to bring order or progress to our lives. With coiffed domestic settings, interiorized gardens, we have sealed off the natural world and have become psychologically immune to its unrestrained aesthetic.

Joel Tauber
In his video work entitled Sick-Amour, Tauber falls in love with a sycamore tree, an emblem of our fragmented relationship with nature. Struggling to assist the sycamore to survive in the middle of a parking lot, the artist becomes an eco-warrior, a guerilla gardener, a fake civic worker—all to save the tree.

Closing Reception: Saturday, February 29, 2009, 7–9 p.m.

Gallery Hours: Monday–Thursday, 10 a.m.–2 p.m.; Tuesday–Wednesday, 6–8 p.m. The gallery is closed Friday, except by appointment

For more information, please contact gallery director Paul Paiement at 714.484.7134